Director Sally Heckel
poses with a copy of JURY.
Photo Credit: Suzanne Hanney/IWPA
The
Verdict
Is
In:
Audience Raves
about
March 19th
Program
More than 200 people crowded into the Claudia Cassidy Theater at the Chicago Cultural Center on Saturday, March 19, 2005, to watch
A JURY OF HER PEERS, the feminist classic directed by Sally Heckel. Originally released in 1980, the 30-minute Oscar-nominated feature has recently been re-released by the Manhattan-based distributor
“Women Make
Movies.”
Four local women's organizations co-sponsored this Silver Anniversary celebration:
AAUW-Illinois (the American Association of University Women),
CAWHC (the Chicago Area Women's History Council),
IWPA (the Illinois Woman’s Press Association) and
WIDC (Women in the Director's Chair). The Saturday afternoon program was just one set of events in WIDC's 24th annual festival, which ran a full five days from Wednesday to Sunday. This was the first year, however, that WIDC's objectives were publicly supported by three other women's organizations, coming together under the banner of
WITASWAN (“Women in the Audience Supporting Women Artists Now!”).
After the screening, Ms. Heckel fielded questions, then the bulk of the audience streamed into a nearby lecture room to hear Patricia Bryan and Thomas Wolf discuss their new book
Midnight Assassin: A Murder in America's
Heartland. Ms. Bryan is a professor of law at the University of North Carolina and Mr. Wolf, her husband and collaborator, is a graduate of the Iowa Writer's Workshop. Their book's formal release date was April 1st, however, given the fact that it analyzes the real case on which JURY is based, the publisher, Algonquin Press, agreed to have copies available for the Book & Tape Signing Reception at
La Strada Restaurant which followed the lecture.
Celebrating at the end of a perfect day!
(l to r: Sally Heckel, Patricia Bryan, Jan Lisa Huttner & Thomas Wolf)
Photo Credit: Phil Heckel
(Professor of Geology at the University of Iowa & very proud brother of the filmmaker!)
None of this could have happened without the hard work of many staff members at the Chicago Cultural Center, most especially Marianne Wolf-Astrauskas, the CCC's Director of Volunteers. Marianne, herself an IWPA member, was the key link between
WITASWAN and
WIDC
during the planning phase, and she personally coordinated the mailing of thousands of flyers.
President Kim Benziger lead the AAUW-Illinois Team, assisted by Mary McNulty, Alexis Reese,
Barbara Spiegel and Barbara Zeitz; the CAWHC Team included President Mary Ann Johnson and Founder Jean Hunt; and the IWPA Team consisted of Marion Gold, Cecilia Green, and Linda Heacox. Each of these ladies
distributed flyers, sent eLinks, staffed literature tables before the screening, and helped people circulate at the reception. IWPA Past-President Marion Gold also created and raffled off a fabulous gift basket to help cover ancillary PR costs. The overall
WITASWAN Coordinator was Jan Lisa Huttner, working in close cooperation with WIDC’s Programming Director K.J. Mohr.
Jessica Weissman was the lucky winner
of Marion Gold’s fabulous gift basket.
(l to r: Marion Gold, Jan Lisa Huttner & Jessica Weissman)
Photo Credit: Suzanne Hanney/IWPA
Everyone agrees that the day was a huge success, and people all over Illinois are wondering what
WITASWAN will do as an encore next year when Women's History Month rolls around again in March 2006!
Jan & Rich (right) pose with Bob & Kim Benziger. Kim is the President of AAUW-Illinois, the organization that originally conceived of & founded WITASWAN.
Photo Credit: Suzanne Hanney/IWPA
Reviews of Jan’s previous Celluloid Ceiling Programs
From Donna Sproston, Director, AAUW-Illinois District 3 (2002-2004):
“AAUW-IL’s District 3 Fall Conference attendees were enthusiastic in their praise for Jan's presentation. Many had never thought before about the presence of a celluloid ceiling confronting women in the film industry. Her enthusiasm for her subject and her natural interactive style made the session pass all too quickly."
From Erika Nicketakis, President, Waukegan Area Branch AAUW (2003-2005):
“At our February general meeting, Jan not only showed us the film
A JURY OF HER
PEERS, she also led us in a rousing discussion of the film and women filmmakers in general. She urged us to ‘vote’ for films by women filmmakers by seeking them out in theaters and/or renting them on DVD/VHS. Her enthusiastic knowledge was infectious!”
AAUW-Illinois Fall District Meeting @ IIT-West in Wheaton (11/03).
Jan chats after her presentation with District Four members
JoAnn Horowitz (left) & Pam Sanner (right).
More about the film A JURY OF HER
PEERS
(often shown @ Jan’s Celluloid Ceiling programs)
A JURY OF HER
PEERS
A Film by Sally Heckel
Based on a Story by Susan Glaspell
A JURY OF HER
PEERS is based on a 1917 short story of the same name by Susan
Glaspell. Inspired by events witnessed during her years as a court reporter for the DES MOINES DAILY, Glaspell crafted a story in which two rural women uncover clues to a murder, clues that were completely overlooked by the men responsible for investigating the case.
In her lifetime, Glaspell wrote 13 plays, 14 novels, & more than 50 essays, articles & short stories. In 1931, she received a Pulitzer Prize, one of the first American women so honored. Glaspell was a true feminist pioneer!
Sally Heckel is a Manhattan-based independent filmmaker best known for her 1980 Oscar-nominated dramatic short A
JURY OF HER PEERS. This film has received international distribution, & has become a classic in the US (where it is shown in high schools & colleges as well as law schools).
Susan Glaspell (1876-1948)
”So I went out on the wharf, sat alone on one of our wooden benches without a back, and looked a long time at that bare little stage. After a time the stage became a kitchen - a kitchen there all by itself. I saw just where the stove was, the table, and the steps going upstairs. Then the door at the back opened and people all bundled up came in – two or three men, I wasn’t sure which, but sure enough about the two women, who hung back, reluctant to enter that kitchen. When I was a newspaper reporter out in Iowa, I was sent down-state to do a murder trial, and I never forgot going into the kitchen of a woman locked up in town. I had meant to do it as a short story, but the stage took it for its own, so I hurried in from the wharf to write down what I had seen...”
From THE ROAD TO THE TEMPLE
By Susan Glaspell
(Describing how she wrote the play TRIFLES, which she later rewrote as the short story A
JURY OF HER
PEERS)